Repercussion's Macbeth is a ‘play' on modernity



Repercussion's modern take on Macbeth, last Tuesday in Westmount Park.Photo:  Nav Pall

Repercussion's modern take on Macbeth, last Tuesday in Westmount Park.Photo: Nav Pall

Publié le 3 Août 2011
Publié le 3 Août 2011
 

By Leïta Boucicaut

Nestled in the crook of manicured Westmount Park hedges stood a black and chrome two-tiered stage. A cool breeze greeted people of all ages as they lounged on blankets and camping chairs. From children to seniors, the atmosphere was festive and relaxed. This was the setting for Repercussion Theatre's production of Macbeth on Tuesday night.

Sujets :
Repercussion Theatre , Montreal , Westmount Park

Suddenly the sound of thunder and lightning filled the air and three male witches dressed in colourful lingerie declared Macbeth's fate. This was our introduction to what would be a modern take on a classic tale of ambition, greed, guilt and revenge. Director Arianna Bardesono approached this story in a way that would emphasize the challenges in today's societies: recessions, wars, environmental disasters... The ability to fuse an old tale with modern elements demonstrated how relevant and timeless these issues are.

"I like the idea that they're trying to do something modern and that they're bringing in the ideas of the stock market and the environment," said Robert Newton, an avid Shakespeare in the Park fan who has been attending Repercussion Theatre productions for nearly 20 years. "They're kind of mixing those ideas of what goes wrong in the kingdom, goes wrong if the king is not governing properly. I thought that was an interesting take on things."

Repercussion Theatre has been bringing classical theatre to Montreal audiences for 23 years. The cast and crew took on their roles with the professionalism and passion the theatre has built its reputation on. Notable mentions go out to the stunning performances by Anana Rydvald (Lady Macbeth), Karl Graboshas (Banquo), Tim Hine (Duncan) and Paul Hopkins (Macbeth).

In addition to playing the lead role, Hopkins is also the theatre's artistic director. The choice to present a tragedy to the Montreal public was a good decision, he thought. "We haven't done a serious tragedy like this since 1998," Hopkins said.  "It's a little bit risky. But I think the audience seems rapt. They seem to be hanging on to each word and I think they really appreciate the different tone."

With television, stock market and cell phone sound bites, this interpretation of Shakespeare's classic tale has taken on a corporate feel that many audience members appreciated.

Jean Cadrin is a first-time Shakespeare-in-the-Park goer. He enjoyed the modern twist. "The choice was interesting, with regards to present-day society," he said.   "We can interpret it in the way we want and I think that's a good thing." 

He highly recommends the play. "It's a great night, a great initiative to have Shakespeare-in-the-Park in Montreal parks," he said.

Repercussion Theatre's production of Macbeth will be on tour throughout the greater Montreal area until Aug. 21, when the tour ends here in Westmount Park with back-to-back shows on Aug. 20 and 21. For more information, visit www.repercussiontheatre.com.

Voir l'article sur le journal The Westmount Examiner

Commentaires

  • Nom de l\'usager
    Ben K.
    - August 8, 2011 at 11:35:09

    Disagree on almost all points. The performances were fry and passionless by everyone but Tim Hine in the King Duncan/Porter roles - it felt like they were reciting lines, or heavy-handedly overacting, as was the case of Anana Rydvald's Lady Macbeth - rather than performing roles. This is drama, not melodrama. The ultra-minimalist setting and costumes poorly reflected the attempts at modernization - and the Wyrd Sisters' drag-queen lingerie was hardly family-appropriate. And as the Wyrd Sisters were supposed to be old, ugly hags, it made little sense to have them parading around like salacious trollops, scantily clad and lustily writhing about. If it was meant to be ironic, it was certainly lost on me. Most importantly, the modernization - from the above-mentioned Wyrd Sisters costumes to the 'issues' such as the Wall Street connections, to the animal masks - made absolutely no sense with regard to the play itself. The connections were as loose as could be (a description of 'bearlike' warrants a panda mask? How does that work exactly??), and it failed to provoke critical thought about the issues, because the connection between the dialogue and these global issues simply was not there. Ever since Baz Luhrmann modernized Romeo and Juliet, everybody and their sister is trying to do the same. Here's a hint: Baz Luhrmann is a genius and his movie was near-perfectly assimilating Shakespeare's dialogue with a modern scenario. Repercussion Theatre is not Baz Luhrmann. Stick to working on the performance and stay away from frail attempts to be cute and clever. Macbeth does not need to be 'upgraded' - it was fine as it was. For those who truly want to see a masterful performance of this underrated play, I would HIGHLY recommend seeing Roman Polanski's 1971 film version.

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